Month: February 2025

Australian artist Clare Easdown has unleashed a fearless and unapologetic new single, “A Song for Elon,” released on February 13th, 2025. Collaborating with Jade Ryan, Clare delivers a scathing critique of the wealthy elite, particularly targeting figures like Elon Musk. Influenced by politically charged bands such as Amyl and the Sniffers, Bikini Kill, and Pussy Riot, the track is a bold statement against power structures that favor the privileged few. With an unfiltered approach, Clare and Jade use their music to challenge listeners, urging them to confront societal injustices with urgency and defiance.

From the first note, “A Song for Elon” bursts with raw intensity, grabbing the listener’s attention with gritty guitars and an anthemic chorus that refuses to be ignored. The song not only criticizes one of the world’s wealthiest figures but also condemns the broader systems that uphold the dominance of the 1%. With pointed references to Elon Musk’s controversial actions, including his infamous Nazi salute, the track takes a direct stand against those who manipulate global events for personal gain. Clare’s impassioned vocals and Jade’s razor-sharp political perspective transform the song into a powerful anthem of resistance.

The production of the single is as raw and unfiltered as its message. Recorded in Clare’s affordable housing in Menai using just an iPhone and Apple headphones, “A Song for Elon” proves that passion and truth matter more than expensive equipment. This stripped-down, DIY approach gives the song an authentic, grassroots feel that resonates deeply with its themes of inequality and power imbalance. The accompanying music video further amplifies this message, prominently featuring Clare’s housing number to underline the erosion of privacy by the elite, an issue that adds another layer of meaning to the track’s rebellious spirit.

What sets “A Song for Elon” apart is its fearless political stance. At a time when many artists shy away from making direct statements, Clare and Jade embrace activism through their music. The lyrics may call out Musk by name, but the song speaks to a much larger audience, anyone who has ever felt crushed by systemic injustice or silenced by the overwhelming dominance of the rich and powerful. This is more than just a protest song; it is a battle cry for those who refuse to accept the status quo, a universal call for change in an era of increasing disparity.

The creative partnership between Clare and Jade, which began serendipitously on Tinder, has evolved into a formidable force in politically charged music. With “A Song for Elon,” they solidify their stance as artists unafraid to speak truth to power. As they prepare to bring their message to live audiences at venues like The Moshpit Bar and LazyBones Lounge, it’s clear their impact is just beginning. This track demands to be heard for its electrifying sound, and for the conversations it will ignite long after the final note fades.

Connect to Clare Easdown on Spotify, SoundCloud and YouTube

GIANFRANCO GFN’s latest track, “My Sunday Morning,” released on January 28, 2025, offers a refreshing burst of positive energy that will undoubtedly lift your spirits. A part of his upcoming album GIOMANÈ, slated for release in the Spring of 2024, “My Sunday Morning” is a delightful reflection of the serenity and joy that Sunday mornings often bring. This song radiates warmth and optimism, inviting listeners to embrace the beauty of life, music, and the connections we share with others. With its catchy choruses and heartfelt lyrics, the track encapsulates the essence of a perfect, carefree morning where music, laughter, and hope intertwine seamlessly.

The song’s vibrant energy is brought to life through a dynamic collaboration with a group of talented musicians. GIANFRANCO GFN, known for his signature style of GIAZZ!, plays the guitar, infusing the track with a soulful and groove-filled foundation. The bass and keyboard work by David Caraccio adds a rich, mellow undertone, while Nicolas Pittet’s drumming provides a steady rhythm that grounds the track. Vladimir Carbone’s vocals and backing vocals inject a sense of communal joy into the song, and Evgenia Vieira’s harmonies further enhance the uplifting mood. Together, this group of musicians creates a sound that is as heartfelt as it is engaging, perfectly matching the optimistic theme of the song.

“My Sunday Morning” is a testament to GIANFRANCO GFN’s ability to blend different musical genres into a cohesive and captivating whole. His GIAZZ! style, a fusion of groove, soul, and acid-jazz, continues to shine through, creating an inviting atmosphere that encourages listeners to slow down, soak in the present moment, and appreciate the beauty around them. The track feels like a musical communion, where neighbors, friends, and souls in search of happiness can come together, celebrating shared joy and rebirth. The infectious rhythms and warm melodies leave a lasting impression, making “My Sunday Morning” a song that listeners will return to again and again.

As GIANFRANCO GFN prepares for the full release of GIOMANÈ, “My Sunday Morning” gives us a taste of the intense and captivating musical journey he’s crafting. This track is not just about listening to music; it’s about feeling it—every note, every chord, and every lyric resonates with those who crave connection and celebration. The album promises to continue this journey, taking us through new sonic landscapes while staying true to GIANFRANCO’s unique voice and vision. For fans of soulful grooves and uplifting tunes, “My Sunday Morning” is a perfect introduction to what promises to be a remarkable album.

If you’ve enjoyed “My Sunday Morning” and want to support GIANFRANCO GFN’s artistic journey, there are several ways to show your support. Donations are welcome on his various pages, allowing fans to contribute to the creation of future projects. Your support helps bring more of GIANFRANCO’s vibrant and inspiring music to life. Whether through a simple donation or by sharing his work with others, every bit of support goes a long way in helping an artist like GIANFRANCO continue to share his gift of music with the world. So, let’s continue to celebrate life, music, and the good times together, because, after all, every Sunday morning deserves a soundtrack as joyful as this.

Connect to GIANFRANCO GFN on Spotify, Soundcloud and YouTube

With their latest release, The Simian, The All’s Eye offers an electrifying and intricately woven piece of music that is bound to resonate with seasoned jam band lovers and fans of genre-blending experimentation. A collaboration of three powerhouse musicians—Ari Joshua, Ben Atkind, and Kris Yunker, this track seamlessly combines rock ‘n’ roll energy, jazz sophistication, and boogaloo funk into a composition that feels fresh and timeless. The track is made even more captivating by the inclusion of Jason Hann, renowned percussionist from The String Cheese Incident, who adds his rhythmic mastery to the mix, amplifying the track’s sonic depth.

Opening with a catchy, rolling percussion groove, The Simian quickly establishes its funk-forward foundation. The bass-driven rhythm section, paired with Kris Yunker’s soulful Hammond organ, sets a smooth, hypnotic tone that builds steadily in complexity. The song’s melodies are intricately layered, with Ari Joshua’s guitar lines weaving in and out of the track, adding texture and emotion. His electric guitar work is both fiery and soulful, offering moments of improvisational brilliance that bring a sense of freedom to the song. The track effortlessly shifts between mellow, atmospheric passages and fiery, energetic peaks, creating a dynamic ebb and flow that feels like a natural progression of the band’s collective creativity.

The addition of Jason Hann’s percussion brings an added dimension to the track’s groove. With his expert use of shaker, bongos, and congas, Hann propels The Simian into a higher gear, adding rhythmical complexity that complements the organic nature of the band’s sound. His percussion work blends seamlessly with the trio’s already tight rhythm section, creating a richly textured landscape of sound that’s as immersive as it is exciting. The track builds steadily, layering intricate grooves over one another, creating an undeniable sense of momentum that culminates in an explosive, soul-stirring finale.

What sets The Simian apart is its infectious energy and the effortless chemistry between the members of The All’s Eye. There’s a palpable sense of spontaneity to the song, as if the band members are communicating with one another through their instruments in real-time. The track shifts between diverse musical landscapes, from jazzy organ breaks to rock ‘n’ roll swagger, and each section seamlessly flows into the next. The band’s ability to blend these genres while keeping the sound tight and cohesive is a testament to their musicianship and commitment to live, improvisational music. It’s a track that invites listeners to let go and embrace the moment, feeling the music as it evolves.

The song’s visual and conceptual depth is beautifully complemented by the striking artwork created by Roberlan Borges Paresqui. Known for his bold and psychedelic designs, Roberlan’s artwork perfectly mirrors the vibrant energy of the track, with its surreal colors and intricate patterns evoking a sense of cosmic exploration and visual stimulation that mirrors the auditory journey of The Simian. The cover art enhances the track’s overall vibe, drawing listeners into the immersive world that The All’s Eye has skillfully crafted.

In support of the release of The Simian, The All’s Eye will embark on a series of exciting live performances across the Northeast, with shows scheduled at various venues in February 2025. This winter tour will take them to the Woods Valley Ski Resort in Westernville, NY, on February 6, followed by Ophelia’s on Broadway in Albany, NY, on February 7, Buffalo Iron Works in Buffalo, NY, on February 12, and Three Heads Brewing in Rochester, NY, on February 13. The band will wrap up the tour at Kings Rook Club in Erie, PA, on February 14. Additionally, the band will capture a live performance at Matt Rifino’s New Jersey Studios on February 9 and 10, ensuring fans will have a high-quality video to enjoy from the comfort of their homes. For those lucky enough to catch The All’s Eye live, this tour promises to be an unforgettable experience.

With The Simian, The All’s Eye has created a captivating track that exemplifies their ability to blend genres and push musical boundaries. Their dynamic chemistry and improvisational spirit are evident in every note, making this song a must-listen for any fan of jam bands, funk, or experimental rock. If The Simian is any indication of what’s to come, we can expect even greater things from The All’s Eye in the future. The track is a thrilling ride that challenges and delights, leaving listeners eager for more.

Connect to The All’s Eye on Spotify and YouTube

PODVIG!’s debut track, Cloud Maze, is a thrilling and ambitious journey through the vast expanses of stoner space rock. Emerging from the spontaneous collaboration of three talented individuals—Al King, Ivan Drybas, and Eugene Smozhevsky, the track represents a beautiful fusion of diverse musical backgrounds and creative energy. What started as an impromptu jam session has evolved into a finished piece that is both contemplative and explosive, showcasing the raw power of live improvisation. With its slow-building introduction and seismic crescendo, Cloud Maze takes the listener on an expansive journey through sound, guided by the mesmerizing interplay of guitars, keyboards, bass, and groove boxes.

The track opens with a dreamy, hypnotic vibe, as a delicate guitar riff dances over the soft, ethereal hum of synths. It’s the kind of introduction that invites you to sink into the music, letting the intricate layers unfold slowly. The first few moments feel like floating in space—distant yet intimate, calm yet full of potential. As the track progresses, the rhythm section begins to pulse, subtly increasing the tension as the tempo starts to build. The pacing is deliberate, allowing the soundscape to expand and breathe, creating an anticipation that something immense is just around the corner.

And then it arrives. As Cloud Maze accelerates toward its climax, the music transforms into a roaring wave of sound, as though the listeners are breaking through the clouds and into a cosmic storm. The guitars, expertly played by Al King, burst into fiery solos, while Ivan Drybas’ atmospheric keyboards provide texture and depth. The track reaches a powerful peak, a crescendo of stoner rock energy that feels liberating and overwhelming. The improvisational nature of the track is evident in these moments, as the musicians weave their talents into a collective force, pushing each other to new heights with every note.

One of the most captivating aspects of Cloud Maze is the way it navigates the space between controlled chaos and meditative moments. Eugene Smozhevsky’s bass work, alongside his use of groove boxes, adds a rhythmic complexity that serves as the track’s heartbeat. This grounding force contrasts with the soaring guitar and keyboard lines, creating a dynamic tension that keeps the listener engaged throughout. The track’s ability to move seamlessly between quiet, introspective passages and thunderous climaxes speaks to the band’s mastery of their craft and understanding of musical narrative.

Ultimately, Cloud Maze is a stunning introduction to PODVIG!’s unique sound—a blend of stoner rock, space rock, and experimental improvisation that has the power to transport the listener into another world. The track’s evolution from a recorded jam session to a fully realized song is a testament to the band’s chemistry and willingness to explore musical boundaries. Mastered by Bill Sellar at Super Audio Mastering, Cloud Maze sounds expansive and refined, with each layer of sound carefully balanced to create a rich listening experience. PODVIG! has crafted something special with Cloud Maze, and this track serves as an exciting first glimpse into the possibilities of what’s to come from this eclectic and talented trio.

Connect to PODVIG! on Spotify and YouTube

HeIsTheArtist, born LeeMann Bassey, is no stranger to the transformative power of music. A once-secular neo-soul singer, he has found a new purpose in blending alternative rock, soul, and gospel influences to share his faith through music. His latest EP, Confessions of a Fallen Angel, is a deeply introspective journey that explores the stages of addiction recovery through a spiritual lens, drawing inspiration from the biblical fall of Lucifer and The Book of Isaiah. The five tracks of this EP are not only musical expressions but also serve as a narrative map of personal redemption, inviting listeners into a vulnerable and powerful story of healing.

The opening track, “Sympathy Sonata (Rock Rhapsody),” sets the tone for the EP’s emotionally charged narrative. Representing the first stage of addiction recovery, pre-contemplation, this track blends HeIsTheArtist’s signature rock rhapsody with layers of soul. The haunting piano melody and gritty guitar riffs symbolize the internal struggle of a person who isn’t yet ready to confront their issues. The lyrics are raw and heartfelt, depicting the confusion and denial that often precede the realization that something must change. This track pulls listeners into the psyche of someone on the verge of a breakthrough, the pivotal moment before the path to redemption becomes clear.

As the EP progresses, “God Bless the Child 2.0” takes center stage with a beautiful reimagining of Billie Holiday’s iconic song, representing the second stage: contemplation. The mellow, soulful instrumentation in this version emphasizes the reflective nature of the lyrics, which speak to the existential questions and self-doubt that often accompany this stage of recovery. HeIsTheArtist’s voice soars as he delivers the message of self-worth and the realization that a change must come. It’s a delicate balance of hope and despair, the tug of war between staying in the comfort of addiction and taking the first step toward healing. The track’s spiritual resonance is undeniable, as it encourages listeners to seek inner strength and divine guidance.

“Parted Waves” offers a dramatic shift in sound as it captures the third stage of addiction recovery: preparation. The track is rich with uplifting energy and momentum, symbolizing the decision to make a change and the preparation that comes with it. With dynamic rock instrumentation, HeIsTheArtist presents a sound that builds towards something larger than oneself, mirroring the internal transformation in the recovery journey. It’s a triumphant declaration, embodying the courage to face the challenges ahead. The energy of the song feels like a sonic call to action, urging those listening to take the next step with faith and determination.

As the EP moves into “Sometimes 2.0”—a cover of Britney Spears’ “Sometimes”, it explores the fourth stage: action. HeIsTheArtist puts a fresh spin on the pop hit, transforming it into a soulful rock anthem that emphasizes the difficult yet necessary act of taking action in recovery. The track combines elements of vulnerability and empowerment, as HeIsTheArtist’s voice soars through the chorus, capturing the emotional complexity of confronting one’s demons and moving forward. The song’s powerful instrumentation, paired with HeIsTheArtist’s emotive delivery, creates a compelling atmosphere that drives home the importance of persistence in the face of adversity.

The final track, “Out My Mind, Just In Time”—a cover of Erykah Badu’s classic, is a fitting close to the EP. Representing the fifth stage of recovery: maintenance, this song speaks to the delicate balance of sustaining progress and staying grounded after overcoming addiction. HeIsTheArtist gives the song a reflective twist, weaving together soulful melodies and thoughtful lyrics that acknowledge the continuous effort required to maintain growth. It’s a triumphant yet sobering conclusion, offering hope to those on the path of recovery that lasting change is possible, but only through sustained commitment.

Confessions of a Fallen Angel is an inspiring, raw, and soulful EP that reflects HeIsTheArtist’s deep commitment to using music as a tool for spiritual and emotional healing. With a sound that blends rock, soul, and alternative elements, HeIsTheArtist delivers a powerful musical story that mirrors the complexities of addiction recovery while celebrating the possibility of redemption. The EP resonates as a personal journey, and as a message of hope for anyone struggling with their battles. Through every note and lyric, HeIsTheArtist invites listeners to embark on their path to healing, making Confessions of a Fallen Angel a must-listen for anyone in search of both musical and spiritual inspiration.

Connect to HeIsTheArtist on Spotify and YouTube

Greek-born musician Nick Anastasakis, best known as The Afro Nick, releases his latest single, Get There Before Noon. Originally recorded in various New York studios, this revamped version was finalized in Nick’s home studio in Los Angeles. Growing up on the island of Crete, Nick drew inspiration from the local Romani musicians who played their guitars for coins on the Venetian cobblestone streets. Before establishing himself in New York and later LA, he toured Crete with his former band, Stray Blue, an unusual feat for an indie rock group at the time. Now, as a self-produced artist, The Afro Nick fully embraces his musical freedom, with his stage name serving as a nod to his wild, expressive hair.

Nick’s journey from Crete to the global indie rock scene has been shaped by a sense of rebellion and unrestrained creativity. His early influences, from the lively street musicians of his hometown to the raw energy of rock and blues, can be heard throughout his work. Since forming Stray Blue in 2009, he has been pushing musical boundaries, premiering one of the island’s first indie rock tours. Now based in LA, his sound continues to evolve, combining stirring lyricism with urgent, heartfelt delivery. His music remains a symbol of freedom, an outlet for those who refuse to conform to the ordinary.

The Afro Nick’s music is a collaborative effort, with key contributors bringing their distinct energy to the project. Greek-based bass player George Athanas, a former Stray Blue bandmate, has been an essential part of Nick’s musical journey. Meanwhile, Grammy-winning synth player Leo Genovese, whom Nick first met while performing in New York clubs, adds a dynamic electronic edge to the mix. Though they are spread across different continents, their shared passion for music keeps them connected, crafting new material whenever their paths cross. With the upcoming single release on November 22, 2024, the trio is gearing up for more releases and a potential tour in 2025.

Get There Before Noon is an anthem born out of a literal experience. Nick recalls waking up with a hangover after a long night in NYC, realizing he had to rush to a recording session before noon. The song’s lyrics, such as, “And on one day, you gonna miss that day,” and “I got to live this life, not yesterday“, urge listeners to seize the moment before it’s too late. Thick guitar riffs, electronic melodies, and Nick’s deep, raspy vocals infuse the track with an emotional intensity that perfectly captures its message. The song’s closing line, “And all you have to do is get there before noon,” encapsulates The Afro Nick’s ethos, a hopeful yet urgent call to embrace life’s opportunities.

Nick’s music has resonated far beyond his roots, gaining recognition on television, including PBS’s Roadtrip Nation, and international radio stations like Cosmos FM, which preserves Greek heritage in the U.S. His work is a declaration of artistic independence. With Get There Before Noon, The Afro Nick continues to inspire, delivering music that encourages listeners to follow their path, act without hesitation, and live with unapologetic passion.

Connect with The Afro Nick on Spotify and YouTube

On February 14, 2024, Reina Mora released the highly anticipated music video for WEEDS (Elated Remix), a thrilling reimagination of her deeply personal original track. Blending heartfelt storytelling with the pulsating energy of EDM, this remix transforms themes of heartbreak into a liberating sonic experience. Directed by Eric J Vasquez, the video amplifies the song’s raw emotional core and also pays homage to one of Reina’s biggest influences, Fiona Apple. This collaboration results in a visually striking narrative that mirrors the song’s powerful journey of pain, resilience, and self-discovery.

Reina Mora, a Los Angeles-based Puerto Rican singer-songwriter, is known for seamlessly weaving together influences from folk, country, pop, and Latin music. WEEDS was born from a deeply emotional period in her life, written amid the turmoil of her divorce. The original track’s introspective lyrics and soulful delivery are elevated in the Elated Remix, as the pulsating electronic production injects a fresh, energetic spirit into the song. This fusion of vulnerability and intensity makes WEEDS (Elated Remix) a club-ready anthem and an emotional catharsis, with the music video serving as a perfect visual counterpart.

Visually, the video is a bold artistic statement, fusing Reina’s storytelling with stylistic influences from Fiona Apple’s Criminal. Eric J Vasquez brings this vision to life by recreating key imagery, giving the video a dark, moody atmosphere that perfectly complements the song’s themes of transformation and renewal. The AI-generated reference photos add another layer of creative depth, reinforcing Reina’s signature aesthetic. This modernized homage to Apple’s work highlights Reina’s reverence for her influences and solidifies her artistic voice as she continues carving her path.

The symbolism within the video further enhances its emotional impact. The contrast between moments of deep reflection and bursts of freedom mirrors the catharsis found in Reina’s music. Wildflowers blooming in urban landscapes serve as a metaphor for resilience, illustrating how beauty and strength can emerge from struggle. The interplay of light and shadow intensifies the video’s emotional highs and lows, reinforcing the song’s powerful narrative. By releasing WEEDS (Elated Remix) on Valentine’s Day, a day typically reserved for love, Reina reclaims the occasion as a moment for self-empowerment. The video is a celebration of survival and a testament to the transformative power of music and art.

Connect to Reina Mora on Spotify and YouTube

Zachary Mason’s latest single, I Wish Humans Were Made In A Factory, released on February 15, 2025, is a clever and sardonic take on human nature wrapped in a catchy rock package. Known for his distinctive blend of acoustic and electric guitars and his knack for quirky lyricism, the Guildford-based artist has steadily built a reputation since 2021. With over 200 demo tracks recorded on a modest setup gifted by a relative, Zachary has honed a sound that spans indie rock and experimental influences. His growing recognition includes features in Spanish Rolling Stone, airplay on Bay FM, and placements with sync companies like YTINIFNI Pictures.

This marks Zachary’s eighth single and blends his signature indie rock foundation with an experimental edge. The song’s premise is humorous and thought-provoking, playfully suggesting that humans might be better off if they were factory-made rather than shaped by the unpredictable forces of nature. With his sharp wit, Zachary delivers a satirical take on the contradictions and complexities of human existence, offering a lyrical perspective that is both relatable and refreshingly tongue-in-cheek. His songwriting cleverly balances frustration with amusement, making for a track that is as engaging as it is insightful.

Musically, the track leans into gritty indie rock textures, with electrifying guitar riffs that inject an urgency matching the song’s thematic weight. A strong rhythm section provides a steady backbone, while atmospheric keyboard layers add depth, ensuring the sound feels raw and expansive. The production remains organic, letting the energy of the instruments and Zachary’s vocals take centre stage without unnecessary polish. The result is a track that is both fun and thought-provoking, embracing rock’s rebellious spirit while experimenting just enough to keep things fresh.

With I Wish Humans Were Made In A Factory, Zachary Mason once again proves his ability to craft songs that resonate on both a musical and emotional level. Instead of dwelling in cynicism, he embraces the absurdity of life with humour and sharp commentary, offering a refreshing perspective within the indie rock scene. As his career continues to gain momentum—through radio success, sync placements, and critical recognition—Zachary remains an artist to watch. If this single is any indication, his future releases will continue to blend wit, introspection, and inventive rock stylings, making him a standout voice in modern indie music.

Connect to Zachary Mason on Spotify and YouTube

Proklaim’s latest single, LOVE LAVIDA, released on February 12, 2025, delivers a vibrant fusion of global influences with a bold, modern twist on hip-hop. Hailing from Windhoek, Namibia, Proklaim is the driving force behind this dynamic track, crafting an immersive sonic experience that challenges musical norms. As both the writer and performer, he pushes creative boundaries by blending reggaeton rhythms with Caribbean, Latino, and West African elements, all underpinned by a hip-hop foundation. The result is a genre-defying track that brings fresh and exciting energy to the music scene.

True to his fearless artistry, Proklaim found inspiration in a reggaeton beat he discovered online, igniting his vision for a sound that stands apart. His commitment to musical innovation shines through in this track, reflecting his ability to seamlessly merge diverse styles. Recorded at Pen Pushaz studios and expertly mixed and mastered by Wojtek Majewski at Audio Art Namibia, LOVE LAVIDA is a high-energy anthem that bridges cultural influences, pulsating with rhythm and global appeal.

LOVE LAVIDA commands attention with its infectious energy from the very first beat. The reggaeton influence is unmistakable, setting the stage for a rhythm that is both immersive and exhilarating. Proklaim’s dynamic verses flow effortlessly over the vibrant instrumental, delivering a performance that is confident and engaging. His seamless blend of Latino and West African elements with hip-hop creates a sound that feels both familiar and refreshingly original. The track’s pulsating beat-driven energy propels it forward, making it an irresistible listen from start to finish.

What makes LOVE LAVIDA truly stand out is its masterful fusion of genres, creating a soundscape that is expansive yet cohesive. Each influence—whether reggaeton, Afrobeat, or hip-hop—retains its identity while complementing the others in perfect harmony. A deep, rhythmic groove anchors the track, capturing the essence of Afrobeat, while Proklaim’s precise, sharp delivery maintains the grit of classic hip-hop. This balance gives the song its distinct appeal, making it more than just a genre-blending experiment but a fresh and innovative musical experience that invites listeners from all backgrounds to connect with its vibrant energy.

As Proklaim continues to push creative boundaries, LOVE LAVIDA stands as a bold testament to his artistic vision. His ability to weave global influences into a hip-hop framework highlights his forward-thinking approach and musical versatility. More than just a showcase of his performance skills, the track underscores his deep understanding of cross-cultural music and its power to bring people together. With LOVE LAVIDA, Proklaim cements his place as a rising force in the global music scene, delivering a sound that is fresh, dynamic, and undeniably built for the future.

Connect to Proklaim on Spotify and YouTube.

Cheryl Craigie’s latest release, a reinterpretation of Taylor Swift’s ‘I’m Only Me When I’m With You,‘ highlights her talent for reshaping a song while staying true to its essence. Released on January 22, 2025, this version trades the upbeat energy of Swift’s 2006 original for a tender, introspective ballad. By slowing the tempo and accentuating the song’s emotional weight, Cheryl delivers a rendition that feels intimate and deeply sincere, like a heartfelt exchange between close souls. Her fresh approach brings a new depth to the track, blending nostalgia with a renewed sense of meaning.

A seasoned singer-songwriter from Woburn, MA, Cheryl Craigie has always created music that speaks to the soul. Singing since childhood, she has cultivated a passion for writing original songs that explore themes of love and life with raw emotion. Her journey has led her to co-produce eight songs with Eric Goldberg, including three original compositions. Cheryl’s versatility is a defining strength, effortlessly weaving elements of folk, rock, country, and even rap into her work. With this latest release, she further establishes herself as an artist unafraid to push boundaries, reinvent familiar melodies, and showcase her authentic voice.

The delicate piano arrangement and unhurried tempo of I’m Only Me When I’m With You add a newfound maturity to the track, making it feel both fresh and deeply personal. Cheryl’s warm, expressive vocals guide the song with precision, capturing its emotional essence with effortless grace. Her interpretation brings a more introspective and heartfelt dimension to the lyrics, offering a contrast to the upbeat vibrancy of the original. Every note is carefully placed, and her impeccable vocal control creates an atmosphere of softness and sincerity, drawing listeners in as if they were experiencing the song for the first time.

Cheryl’s choice to reinterpret a Taylor Swift song, one originally penned when Swift was just 13, reflects her keen ability to uncover hidden emotional depth in music. By slowing down the track and infusing it with her artistic vision, she transforms it into something deeply moving. As Cheryl herself has shared, she wanted to take the song in a new direction, and the result is a rendition that feels mature and profoundly resonant. What was once a youthful, pop-driven anthem of love and self-discovery now unfolds as a tender ballad about identity and human connection, revealing layers of emotion that may have gone unnoticed before.

This track highlights Cheryl Craigie’s ever-evolving artistry, demonstrating her knack for reimagining a song while preserving its essence. Her rendition of I’m Only Me When I’m With You is captivating, showcasing her ability to infuse music with raw emotion and universal relatability. Once again, she proves her talent for creating deeply resonant pieces that connect with listeners on a personal level. With this cover, she not only pays tribute to Taylor Swift’s songwriting but also reinforces her distinctive presence in the music industry. If this release is any indication, Cheryl’s future work promises to be just as heartfelt and meticulously crafted, establishing her as an artist to watch.

Connect to Cheryl Craigie on Spotify and YouTube

Illinois-based blues-rock trio Rosetta West has built a reputation as an underground powerhouse, fusing psychedelia, world folk influences, and mysticism into their dynamic sound. Known for their independent spirit and dedication to artistic evolution, the band takes a bold step forward with their latest album, Night’s Cross, released on January 25, 2025. Following the success of 2024’s Labyrinth, this new record explores darker, more introspective themes, diving deeper into concepts of mortality, spirituality, and self-discovery. Yet, rather than simply revisiting past ideas, Night’s Cross intensifies the band’s sonic depth, embracing a heavier and more immersive sound.

The album’s opening track, “Save Me,” immediately sets the tone with its gritty blues-rock core, driven by Joseph Demagore’s soulful vocals and razor-sharp guitar work. The urgency of the song, paired with introspective lyrics, draws listeners into the album’s overarching themes from the first note. As the track unfolds, the weight of Night’s Cross becomes apparent—the guitars grow heavier, while Jason X’s deep basslines and keyboard flourishes, alongside Nathan Q. Scratch’s thunderous drumming, propel the song forward with a foreboding intensity. The fusion of mysticism and raw emotion in “Save Me” foreshadows the spiritual odyssey woven throughout the album.

One of the album’s standout moments, “Suzie,” shifts the energy with a more atmospheric and hypnotic quality. Unlike the punchy intensity found elsewhere on Night’s Cross, this track leans into Rosetta West’s psychedelic influences, enveloping listeners in a dreamlike soundscape. Its swirling instrumentation and trance-like rhythm provide a striking contrast to the album’s heavier moments. Lyrically, “Suzie” offers a poignant meditation on love’s fleeting nature and the complexities of human connection, making it one of the album’s most emotionally resonant pieces.

“Dora Lee” embraces a classic blues foundation while infusing it with deep emotional complexity, a hallmark of Rosetta West’s songwriting. The track’s driving blues riff is both familiar and unsettling, evoking a sense of warmth and melancholy in equal measure. Demagore’s raw, impassioned vocals heighten the song’s vulnerability, while the gradual build-in instrumentation intensifies the contrast between light and darkness. As tension mounts, the emotional stakes become unmistakable, making “Dora Lee” a striking example of the band’s ability to blend raw power with lasting poignancy.

Following this, “Diana” introduces an ethereal quality while maintaining the album’s brooding undertones. Layers of reverb-drenched guitars and a pulsating rhythm section create a hypnotic atmosphere that feels both introspective and expansive. This interplay of light and shadow mirrors the song’s thematic exploration of searching for meaning in an indifferent world. The track stands as a testament to Rosetta West’s ability to craft soundscapes that are deeply personal yet universally resonant, drawing the listener into its haunting, meditative core.

“You’ll Be The Death Of Me” emerges as one of the album’s heaviest-hitting moments, encapsulating the existential weight that runs through Night’s Cross. As the title suggests, the lyrics wrestle with mortality and the delicate balance between destiny and free will. Hard-edged rock instrumentation, punctuated by a tight, infectious groove, propels the track forward with a sense of urgency. The result is a song that explores profound themes and immerses the listener in the very essence of life’s most inescapable truths.

“Alligator Farm” injects a refreshing dose of world folk influence into the album, showcasing Rosetta West’s knack for genre-blending. The song’s rhythms and melodies highlight their ability to seamlessly weave diverse musical elements, creating a vibrant contrast to the album’s heavier moments. With its playful yet enigmatic lyrics, the track adds an intriguing layer of sonic exploration, offering a brief moment of levity before the record delves back into its darker themes.

The album’s emotional depth intensifies with “Cold Winter Moon” and “Desperation,” both of which delve into themes of isolation and inner turmoil. These haunting tracks rely on sparse yet evocative instrumentation, proving that sometimes less is more when crafting an immersive atmosphere. By the time “Oh Death” arrives, the album reaches its thematic climax, embracing mortality with an unflinching gaze. The song’s mournful tone and sombre lyrics underscore Night’s Cross’s profound meditation on life’s fragility and the inevitability of loss.

Closing the album, “Ready To Go,” “Baby Doll,” and “Underground Again” bring a sense of resolution, blending elements of hope, acceptance, and release. While the weight of introspection still lingers, there’s a subtle shift toward closure, as if the journey through Night’s Cross has led to a newfound understanding. The final tracks lighten the mood slightly without losing the album’s reflective nature, making for a fitting conclusion to such an intense musical experience.

Night’s Cross is a bold and immersive work that reinforces Rosetta West’s reputation as a fearless musical storyteller. The fusion of blues rock, psychedelia, and world folk results in an album that defies categorization, keeping listeners engaged from start to finish. With its profound themes and dynamic soundscapes, Night’s Cross is a compelling exploration of life’s fragility and resilience, proving once again that Rosetta West thrives in pushing the boundaries of its artistry.

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Clare Easdown has never been one to hold back, and with ”BURN THE SWASTIKA”, she unleashes a blistering anthem that refuses to be ignored. Collaborating with lyricist Jade Ryan, the Australian punk artist channels raw, unfiltered energy into a track that takes an unapologetic stand against racism and neo-Nazi ideology. With a fierce DIY approach and a commitment to activism, Easdown crafts a song that is both urgent and uncompromising. Released on February 9, 2025, the track arrives at a crucial moment, offering not just rebellion but a powerful statement in the ongoing fight against bigotry.

From the very first note, ”BURN THE SWASTIKA” explodes like a Molotov cocktail hurled at oppression. Drawing influence from punk icons like Bikini Kill, Fugazi, and Amyl and the Sniffers, the song bristles with gritty guitar riffs, relentless drums, and a vocal delivery that demands to be heard. Jade Ryan’s searing lyrics cut through the chaos with an urgency that refuses to be silenced. Easdown’s DIY production, recorded entirely in her Menai home using just an iPhone and Apple headphones, only amplifies the track’s raw, lo-fi authenticity. The result is a song that feels both deeply personal and ferociously incendiary, like a rallying cry echoing from the heart of a revolution.

Clare Easdown’s musical path has been anything but ordinary. What began as a chance encounter on Tinder with Jade Ryan quickly evolved into a powerhouse creative partnership. Their band, ”The Cunning Linguists,” has been shaking up Sydney’s music scene, from commanding the streets as buskers to delivering electrifying sets at The Moshpit Bar. The synergy between them is undeniable—Ryan’s razor-sharp lyricism and Easdown’s fearless production style fuse seamlessly, ensuring that ”BURN THE SWASTIKA” is a statement.

The track pulls no punches in its message. Inspired by real-world events, including recent neo-Nazi demonstrations on “Australia Day,” it takes an unyielding stand against the normalization of hate. There’s no room for subtlety, just a raw, unrelenting demand for action. This is protest music in its purest form, echoing the rebellious spirit of punk’s earliest days when bands like Crass and X-Ray Spex dared to challenge the establishment. In a time when silence can be complicit, Easdown and Ryan refuse to stay quiet, turning their rage into a battle cry for justice.

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‘The Way You Make Me Feel‘ by RISE featuring StayMellow is a dynamic track that resonates musically and emotionally. This song highlights the power of collaboration, further strengthening the creative partnership between RISE and StayMellow, first established with their 2024 hit ‘Memories and Possibilities‘. The signature blend of Alex Mahoney’s energetic drumming, Brian Petch’s intricate guitar work, and Paul Kinley’s atmospheric synths is taken to new heights with the addition of Sam Kinley, aka StayMellow. His smooth vocals and rich bass lines bring a fresh depth to the track, making it instantly engaging and undeniably catchy.

Musically, ”The Way You Make Me Feel” stays true to RISE’s indie-rock roots while incorporating progressive elements that add sophistication to the composition. The song balances accessible melodies with more intricate musicianship, particularly in the standout 5/4 bridge-solo section. This unexpected shift in time signature gives the track a unique edge, elevating it beyond a typical pop-rock anthem into something more intricate and immersive. With Rob Whitely at the helm of production, the song’s crisp, polished sound allows every instrument to shine while maintaining a cohesive and powerful overall mix. The result is a track that captures RISE’s musical intensity without overpowering the listener, striking a perfect balance between clarity and depth.

The song delves into the realities of long-term relationships and the steadfast support that sustains them. Paul Kinley’s songwriting highlights the often-overlooked aspects of commitment—the effort, patience, and understanding needed to nurture a lasting bond. In a world that often prioritizes instant gratification, Kinley offers a refreshing perspective on the value of perseverance and mutual care. His message is both simple and profound: genuine support in relationships is something to be cherished. The line, “You smile and life’s OK,” perfectly captures the song’s essence, serving as a reminder that the smallest gestures can hold the deepest meaning and that those we rely on should never be taken for granted.

RISE has a knack for crafting music that resonates with a wide audience, and ”The Way You Make Me Feel” is no exception. The song seamlessly combines uplifting rhythms and infectious melodies with thoughtful, introspective lyrics, making it a standout in the band’s growing discography. While its upbeat energy makes it an instant mood booster, the underlying themes encourage listeners to reflect on the relationships that shape their lives. It’s an anthem for those who appreciate the quiet strength of long-term commitment, serving as a heartfelt tribute to the power of love, resilience and shared growth.

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In the quiet town of Sabattus, Maine, where creativity often struggles to find a voice, one artist is proving that talent and dedication can thrive anywhere. Hyporadar emerges from this unlikely setting with ‘Frankie & Estelle,’ an EP that speaks volumes through its rich storytelling and distinctive sound. Released on January 22, 2025, this project explores themes of love, conflict, and human connection through the perspectives of two contrasting characters. With a masterful blend of bass-driven melodies and deeply personal narratives, Hyporadar crafts a work that is as compelling as it is unconventional.

At the core of ‘Frankie & Estelle‘ is Hyporadar’s signature use of the bass guitar, an instrument that shapes the very essence of the EP. From the opening track, ‘Hey Cabbie‘, the bass serves as both a driving force and a subtle guide, setting the tone for a world that feels both gritty and familiar. Opting to play every instrument himself and record each layer in his basement, Hyporadar showcases an unwavering dedication to his craft. While he may not have a full band to collaborate with, his meticulous approach to sound layering creates an experience that is both expansive and deeply personal. The result is an EP that feels raw yet refined—an intimate glimpse into an artist’s unfiltered creative vision.

The central theme of ‘Frankie & Estelle draws inspiration from Thaddeus Logan’s book ‘Hey Cabbie,’ a collection of stories detailing the experiences of a seasoned Baltimore cab driver. Hyporadar takes this concept and weaves a compelling narrative through the perspectives of two characters: Frankie, the cab driver, and Estelle, a waitress. This dual storytelling approach adds depth to the EP, with tracks like Frankie Sullivan and Estelle offering two sides of the same story. Frankie Sullivan stands out as a defining moment, capturing a chance encounter that feels both poignant and relatable, while Estelle provides an emotional counterpoint, rich with introspection and longing.

What sets the EP apart is Hyporadar’s masterful use of structure and dynamics across the tracks. Each song is carefully constructed to balance narrative with melody, creating a journey that unfolds with every listen. The brooding intensity of ‘Grifter’ contrasts with the steady, almost hypnotic groove of ‘Keep the Meter Running,’ which closes the EP with an air of unresolved tension. Hyporadar’s ability to shift seamlessly between smooth, groove-driven moments and harder, more urgent passages keeps the listener engaged. The way he navigates between these two perspectives further showcases his growing technical skills, enhanced by his refinements in mixing and recording with upgraded equipment.

The recording process itself is a testament to Hyporadar’s dedication and ingenuity. Without collaborators, he takes on the roles of both performer and producer, layering each instrument to bring his vision to life. Whether laying down basslines for multiple tracks in a single session or meticulously crafting intricate drum patterns, his effort is unmistakable. The final product reflects not just his technical growth but also a significant artistic leap from his previous releases. Every note, rhythm, and lyric is deliberate, creating an EP that is as emotionally resonant as it is technically impressive.

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The Venz, a rising band from Chatham, United States, is making waves in the alternative music scene with their evocative storytelling and distinctive sound. Influenced by artists like Twenty-One Pilots and Nothing But Thieves, their music delves into deep emotions and compelling narratives. Their latest single, ‘Slow Motel’, set for release on February 14th, 2025, continues to showcase their knack for crafting songs that are both deeply personal and widely relatable. This hauntingly beautiful track draws listeners into a world of melancholy and reflection, highlighting the band’s ability to blend intimacy with universal appeal.

‘Slow Motel‘ masterfully combines emotive storytelling with infectious melodies. Initially conceived as part of a college songwriting assignment, the track was inspired by a strikingly sombre image provided by the band’s professor: a man in a tank top sitting on a bed, smoking a cigarette, while a despondent woman lingers behind him. This vivid prompt gave rise to a song encapsulating a haunting sense of isolation and emotional struggle. The Venz’s ability to translate such a stark scene into a deeply evocative piece of music highlights their strength as storytellers. From the very first notes, ‘Slow Motel‘ immerses listeners in a captivating and emotionally intense journey.

Recorded just outside of Boston, MA, ‘Slow Motel‘ features atmospheric production that perfectly complements its introspective lyrics. The track weaves moody, reflective instrumentation with a chorus that is anthemic and deeply personal. A sense of urgency lingers within the music, mirroring the emotional strain at the song’s core. The Venz’s production choices heighten the rawness of the concept, crafting a sonic landscape that echoes the isolation and disconnect portrayed in the lyrics. This ability to translate vivid imagery and emotion into sound showcases the band’s talent for creating immersive musical experiences.

The deep personal touch brought by the band’s fiancée, whose vocals add an intimate and emotional depth to the track sets ‘Slow Motel‘ apart. This collaboration enhances the song’s themes of relational tension and emotional distance, as the interplay between the male and female voices creates a compelling dynamic. Their chemistry breathes life into the narrative, transforming what began as a songwriting assignment into a raw, heartfelt experience that feels tender and profound.

At its core, ‘Slow Motel‘ is a testament to The Venz’s evolution as a band and their ability to shape their influences into a sound uniquely their own. The track highlights their talent for blending deeply emotional storytelling with infectious, memorable melodies. With their fresh take on the alternative genre, The Venz are quickly emerging as a band to watch. As they continue to craft compelling music, ‘Slow Motel‘ offers an exciting glimpse into their future—one filled with heartfelt, resonant songs that connect with listeners on a profound level. This is just the beginning for The Venz, and their journey is only getting started.

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Quaint Delusions’ latest album, ‘Anything Real?‘, takes listeners on a mesmerizing journey through a unique blend of rock, folk, and an array of other sonic textures. Across its 13 tracks, the album pulses with the spirit of a band unafraid to experiment with sound while holding tightly to their roots. Right from the opening track, “Killing What I Can’t Even See,” the band sets a tone that is unorthodox yet comforting, layering unexpected elements like descending cello lines and a loose, psychedelic vibe that evokes a late-Beatles era energy. It’s as if the band took a snapshot of Austin in the ’70s, fusing the energy of rednecks, jocks, hippies, and cosmic cowboys all coming together in a wild, rollicking jam session.

“Mr Chaos,” following the opening track, quickly shifts gears with its raucous, dissonant energy. The guitar work here is gritty and bold, paired with rhythms that err on the side of chaos, yet it’s this very unpredictability that makes the song so compelling. The vocals dance around the erratic beats, infusing a sense of urgency that propels the track forward. This kind of balance between control and wild abandon is a theme that continues throughout the album, providing the listener with moments of both chaos and clarity.

One of the album’s standout moments comes in the form of “Lite Brite Sky,” where Quaint Delusions takes a step back from the grit and dives into something more playful and whimsical. The track features hypnotic organs, twangy guitars, and an overall vibe that feels light and carefree. The lyrics, “sleep tight under lite brite sky,” offer an invitation to let go of the weight of the world, as if the song itself is a lullaby for the restless soul. It’s a moment of serenity amidst the album’s otherwise vibrant and chaotic soundscapes.

The intensity picks up again with “Anti-Lover,” where the band delivers a glam-rock groove that’s as catchy as it is bold. The shimmering guitars and driving rhythms push the song into a playful, yet defiant space. The track feels like a fresh take on the genre, leaning into the theatrical and exuberant qualities of glam rock but with a distinctive Quaint Delusions twist. The song’s upbeat energy creates a stark contrast to the mellower, more reflective moments found elsewhere on the album, showcasing the band’s ability to shift tones and moods seamlessly.

Midway through the album, “In The Morning” stands out as a testament to the band’s skilful fusion of folk-rock and vintage-rock influences. With jangling guitars and lush vocal harmonies, the song evokes the spirit of Neil Young and Crazy Horse, yet it maintains the band’s distinctive identity. The track carries a nostalgic feel, reminiscent of early morning walks in a fog-covered field, the kind of song that both soothes and energizes, with a gentle yet insistent drive that never feels too rushed.

As the album progresses, tracks like “Postal Blowfish” and “Vexing #9” delve into different facets of rock. The former injects a wacky, garage-rock energy, reminiscent of Elvis Costello’s mid-70s work, while “Vexing #9” showcases a more experimental side of the band. Pulsing with angular rhythms and jagged melodies, the track is a heady mix of tension and release, forcing listeners to engage with every note as it twists and turns unpredictably. It’s this kind of adventurous spirit that keeps ‘Anything Real?‘ fresh, as the band refuses to settle into any one genre or style.

The album draws to a close with “Anything Real?” a haunting piano ballad that comes as a surprising yet fitting conclusion. The gentle piano melodies paired with heartfelt lyrics create an intimate atmosphere that contrasts sharply with the energetic, chaotic tracks earlier in the album. It’s a beautiful moment of vulnerability that invites reflection, making it clear that Quaint Delusions is a band of sound,and also of emotion. With the final track, “Lite Brite Sky – Weg Mix,” a remix of the earlier track, the band offers a subtle, experimental variation, further proving their ability to keep things fresh and unpredictable until the very end.

Overall, ‘Anything Real?‘ by Quaint Delusions is a triumph of sonic exploration. The album weaves together a tapestry of rock, folk, glam, and garage influences, all while remaining uniquely their own. Whether it’s the experimental textures, the energetic grooves, or the tender ballads, the band demonstrates a remarkable ability to balance raw emotion with innovative musicianship. It’s a record that rewards multiple listens, with every spin uncovering something new and exciting. For anyone in search of a truly dynamic and multifaceted musical experience, ‘Anything Real?‘ is an album that delivers on its promise of authenticity and artistic depth.

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