
Steve Lieberman, the Gangsta Rabbi has always been a musical force who refuses to color inside the lines. With his new single “Crotch Rocket” from the album Suicide Shift 50/88 Opus 23, he pushes his already volatile mix of punk, metal, and experimental noise into even heavier territory. Branded as militia punk fusion, the track feels less like a song and more like a detonation—an outpouring of raw urgency that’s as defiant as it is chaotic. Lieberman, never one to shy away from the personal and the political, harnesses the track’s weight as a way of confronting mortality, midlife crisis, and the unrelenting churn of existence.
The sound of “Crotch Rocket” is exactly what its title suggests: full throttle, unfiltered, and unapologetically loud. From the opening seconds, layers of distorted bass, jagged guitar, and pounding percussion slam into the listener with near-military precision. It’s a sonic blitzkrieg that doesn’t give you room to settle; instead, it forces you into its manic momentum, a reflection of Lieberman’s need to work relentlessly whenever his health allows. There’s no polish here, no attempt to smooth the edges. This is music as confrontation, a declaration that heaviness—both sonic and emotional—can carry its own strange kind of catharsis.
Lyrically, Lieberman channels midlife turmoil into vivid imagery that swings between self-deprecation and aggressive bravado. The “crotch rocket” becomes a metaphor for speed or rebellion and stands in as a symbol for the raw vitality he clings to even as his battle with leukemia threatens to slow him down. The words spill out with urgency, as though they can’t be contained, carrying a mix of humor, desperation, and unapologetic honesty. It’s in this lyrical collision that the song gains its real power—by daring to embody contradiction, by being funny and tragic, angry and strangely celebratory at the same time.
What makes “Crotch Rocket” so compelling is that it doesn’t pretend to be for everyone. It’s abrasive, challenging, and designed to provoke. But in that provocation lies its resonance. The track offer heaviness for its own sake and embodies Lieberman’s philosophy of survival: creating furiously in the face of illness, turning personal struggle into a sonic explosion. In the middle of its chaos, there’s a sense of liberation, as though the music itself is a rocket propelling him past pain, past limitation, into something rawer and truer than ordinary life allows.
Ultimately, “Crotch Rocket” is a statement of existence. It’s Steve Lieberman taking his midlife crisis, his ongoing fight with leukemia, and his relentless work ethic, and compressing it all into a three-minute detonation of militia-punk mayhem. Heavy doesn’t even begin to describe it—it’s punishing, cathartic, and deeply personal. For those willing to strap in and endure the ride, the track offers not just noise but testimony: proof that music can be survival, rebellion, and release all at once.
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